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Roger Hanin
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 TF1 et JLA Prod. démentent la mort du Commissaire Navarro
 Lire la suiteJeudi 07 Août 2008jeanmarcmorandini
 Le commissaire Navarro mourra le 18 août...
 Lire la suiteMercredi 06 Août 2008jeanmarcmorandini
 Emmanuelle Boidron de retour dans Brigade Navarro
 Lire la suiteLundi 07 Juillet 2008actuzaptele
 Brigade Navarro reprend du service : Tournage de 6 nouveaux épisodes
 Lire la suiteMercredi 28 Mai 2008actuzaptele
 La suite de Brigade Navarro en tournage
 Lire la suiteMardi 27 Mai 2008toutelatele
 Roger Hanin en colère contre France 2 !
 Lire la suiteMardi 27 Novembre 2007jeanmarcmorandini
 Audiences : "Navarro" leader avec 6,1 millions de télésp.
 Lire la suiteVendredi 09 Novembre 2007imedias

    
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  roger hanin
encore des playback encore des playback encore des playback
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  rocco e i suoi fratelli (rocco and his ...
desperate for a lot of money to support girlfriend prostitute nadia, apollo looking simone (renato salvatori) appears anxious to do anything desperate for a lot of money to support girlfriend prostitute nadia, apollo looking simone (renato salvatori) appears anxious to do anything desperate for a lot of money to support girlfriend prostitute nadia, apollo looking simone (renato salvatori) appears anxious to do anything
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  nostalgie sanglante
terroriste et flic face a face en chambre close roger hanin dominique frot terroriste et flic face a face en chambre close roger hanin dominique frot terroriste et flic face a face en chambre close roger hanin dominique frot
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  clash chez faugiel
clash chez fogiel entre isabelle mergault et roger hanin clash chez fogiel entre isabelle mergault et roger hanin clash chez fogiel entre isabelle mergault et roger hanin
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  comissaire enrico
extrait du cultissime extrait du cultissime extrait du cultissime
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  le grand pardon (tous les juifs pardonne...
pitié mettez nous ce film en dvd !!!! pitié mettez nous ce film en dvd !!!! pitié mettez nous ce film en dvd !!!!
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  atention une femme peut en cacher une autre
extrait du film extrait du film extrait du film
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  le grand pardon ( manuel carrera )
le parrain constantinois dans toute sa splendeur... le parrain constantinois dans toute sa splendeur... le parrain constantinois dans toute sa splendeur...
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  our agent tiger (1965)
main title from the spy film also known as le tigre se parfume à la dynamite. roger hanin plays louis rapiere aka the tiger. directed by claude chabrol. in my view one of the better chabrol spy films. main title from the spy film also known as le tigre se parfume à la dynamite. roger hanin plays louis rapiere aka the tiger. directed by claude chabrol. in my view one of the better chabrol spy films. main title from the spy film also known as le tigre se parfume à la dynamite. roger hanin plays louis rapiere aka the tiger. directed by claude chabrol. in my view one of the better chabrol spy films.
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  le grand pardon (ho dit le gros)
non laissez le laissez le, je suis gros moi!!!! non laissez le laissez le, je suis gros moi!!!! non laissez le laissez le, je suis gros moi!!!!
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  commissaire enrico
parodie de navarro,roger hanin est visiblement très énervé et il faut pas trop le faire chier!!!! avec derrick et les deux british d'amicalement votre. parodie de navarro,roger hanin est visiblement très énervé et il faut pas trop le faire chier!!!! avec derrick et les deux british d'amicalement votre. parodie de navarro,roger hanin est visiblement très énervé et il faut pas trop le faire chier!!!! avec derrick et les deux british d'amicalement votre.
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  le grand pardon
répliques célèbres du film d'alexandre arcadi répliques célèbres du film d'alexandre arcadi répliques célèbres du film d'alexandre arcadi
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  le grand pardon (arrete tes salamaleck b...
et toi tu sais ou tu est manuel ? tu est chez moi tu viens me menacer ? et toi tu sais ou tu est manuel ? tu est chez moi tu viens me menacer ? et toi tu sais ou tu est manuel ? tu est chez moi tu viens me menacer ?
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  a bout de souffle / breathless - subbed (1/9)
subtitled: aka: breathless. director: jean-luc godard; script: jean-luc godard, françois truffaut; photo: raoul coutard; music: martial solal; cast: jean-paul belmondo (michel poiccard), jean seberg (patricia franchini), roger hanin (cal zombach) michel poiccard is on the run from the police, having killed a policeman. he chats up an amercain student, patricia, and seeks sancutaury in her paris apartment. michel appears to be in love with patricia, who remains non-commital. then patricia discovers michel's terrible secret... this is arguably one of the dozen or so most influential films of the twentieth century. the contrast with everything that went before a bout de souffle is stunning, in terms of plot structure, content, direction and camera work. this is jean-luc godard at his most anarchistic, although - ironically - the film begins as what appears to be a conventional gangster film, albeit in the mould of the new wave of godard's contemporaries, truffaut and chabrol. godard embraces new, unconventional techniques to the point - almost - of excess, particularly the use of jump-cuts and long takes. he uses as one of his lead characters an inexperienced actress, jean seberg, who speaks throughout in an appallingly broken americanized french. and lengthy philosophical discussions and existentialistic references take precedence over action and drama. but the result is a piece of french cinema that even now appears fresh and exciting - witty and effervescent with some catchy and effective music from martial solal. jean-paul belmondo is cast as the luckless petty criminal with an eye for the ladies and an uncanny respect for the police. one of belmondo's better performances, the charismatic young actor dominates every scene in which he appears. a bout de souffle is a truly great film - one that breaks all the conventions and leaves its audience - quite literally - breathless. subtitled: aka: breathless. director: jean-luc godard; script: jean-luc godard, françois truffaut; photo: raoul coutard; music: martial solal; cast: jean-paul belmondo (michel poiccard), jean seberg (patricia franchini), roger hanin (cal zombach) michel poiccard is on the run from the police, having killed a policeman. he chats up an amercain student, patricia, and seeks sancutaury in her paris apartment. michel appears to be in love with patricia, who remains non-commital. then patricia discovers michel's terrible secret... this is arguably one of the dozen or so most influential films of the twentieth century. the contrast with everything that went before a bout de souffle is stunning, in terms of plot structure, content, direction and camera work. this is jean-luc godard at his most anarchistic, although - ironically - the film begins as what appears to be a conventional gangster film, albeit in the mould of the new wave of godard's contemporaries, truffaut and chabrol. godard embraces new, unconventional techniques to the point - almost - of excess, particularly the use of jump-cuts and long takes. he uses as one of his lead characters an inexperienced actress, jean seberg, who speaks throughout in an appallingly broken americanized french. and lengthy philosophical discussions and existentialistic references take precedence over action and drama. but the result is a piece of french cinema that even now appears fresh and exciting - witty and effervescent with some catchy and effective music from martial solal. jean-paul belmondo is cast as the luckless petty criminal with an eye for the ladies and an uncanny respect for the police. one of belmondo's better performances, the charismatic young actor dominates every scene in which he appears. a bout de souffle is a truly great film - one that breaks all the conventions and leaves its audience - quite literally - breathless. subtitled: aka: breathless. director: jean-luc godard; script: jean-luc godard, françois truffaut; photo: raoul coutard; music: martial solal; cast: jean-paul belmondo (michel poiccard), jean seberg (patricia franchini), roger hanin (cal zombach) michel poiccard is on the run from the police, having killed a policeman. he chats up an amercain student, patricia, and seeks sancutaury in her paris apartment. michel appears to be in love with patricia, who remains non-commital. then patricia discovers michel's terrible secret... this is arguably one of the dozen or so most influential films of the twentieth century. the contrast with everything that went before a bout de souffle is stunning, in terms of plot structure, content, direction and camera work. this is jean-luc godard at his most anarchistic, although - ironically - the film begins as what appears to be a conventional gangster film, albeit in the mould of the new wave of godard's contemporaries, truffaut and chabrol. godard embraces new, unconventional techniques to the point - almost - of excess, particularly the use of jump-cuts and long takes. he uses as one of his lead characters an inexperienced actress, jean seberg, who speaks throughout in an appallingly broken americanized french. and lengthy philosophical discussions and existentialistic references take precedence over action and drama. but the result is a piece of french cinema that even now appears fresh and exciting - witty and effervescent with some catchy and effective music from martial solal. jean-paul belmondo is cast as the luckless petty criminal with an eye for the ladies and an uncanny respect for the police. one of belmondo's better performances, the charismatic young actor dominates every scene in which he appears. a bout de souffle is a truly great film - one that breaks all the conventions and leaves its audience - quite literally - breathless.
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  a touch of treason (1962)
title from the spy film also known as les ennemis. a very serious look at what happens when somebody breaks into a high security safe in the russian embassy in france. based on the novel by fred nord title from the spy film also known as les ennemis. a very serious look at what happens when somebody breaks into a high security safe in the russian embassy in france. based on the novel by fred nord title from the spy film also known as les ennemis. a very serious look at what happens when somebody breaks into a high security safe in the russian embassy in france. based on the novel by fred nord
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  le grand pardon (blanchir l'argent)
t'cha du mou dans la tête ou quoi la guêpe t'cha du mou dans la tête ou quoi la guêpe t'cha du mou dans la tête ou quoi la guêpe
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  le grand pardon ( monsieur maurice bettoun)
maurice bettoun et son père maurice bettoun et son père maurice bettoun et son père
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  a bout de souffle / breathless - subbed (3/9)
subtitled: aka: breathless. director: jean-luc godard; script: jean-luc godard, françois truffaut; photo: raoul coutard; music: martial solal; cast: jean-paul belmondo (michel poiccard), jean seberg (patricia franchini), roger hanin (cal zombach) michel poiccard is on the run from the police, having killed a policeman. he chats up an amercain student, patricia, and seeks sancutaury in her paris apartment. michel appears to be in love with patricia, who remains non-commital. then patricia discovers michel's terrible secret... this is arguably one of the dozen or so most influential films of the twentieth century. the contrast with everything that went before a bout de souffle is stunning, in terms of plot structure, content, direction and camera work. this is jean-luc godard at his most anarchistic, although - ironically - the film begins as what appears to be a conventional gangster film, albeit in the mould of the new wave of godard's contemporaries, truffaut and chabrol. godard embraces new, unconventional techniques to the point - almost - of excess, particularly the use of jump-cuts and long takes. he uses as one of his lead characters an inexperienced actress, jean seberg, who speaks throughout in an appallingly broken americanized french. and lengthy philosophical discussions and existentialistic references take precedence over action and drama. but the result is a piece of french cinema that even now appears fresh and exciting - witty and effervescent with some catchy and effective music from martial solal. jean-paul belmondo is cast as the luckless petty criminal with an eye for the ladies and an uncanny respect for the police. one of belmondo's better performances, the charismatic young actor dominates every scene in which he appears. a bout de souffle is a truly great film - one that breaks all the conventions and leaves its audience - quite literally - breathless. subtitled: aka: breathless. director: jean-luc godard; script: jean-luc godard, françois truffaut; photo: raoul coutard; music: martial solal; cast: jean-paul belmondo (michel poiccard), jean seberg (patricia franchini), roger hanin (cal zombach) michel poiccard is on the run from the police, having killed a policeman. he chats up an amercain student, patricia, and seeks sancutaury in her paris apartment. michel appears to be in love with patricia, who remains non-commital. then patricia discovers michel's terrible secret... this is arguably one of the dozen or so most influential films of the twentieth century. the contrast with everything that went before a bout de souffle is stunning, in terms of plot structure, content, direction and camera work. this is jean-luc godard at his most anarchistic, although - ironically - the film begins as what appears to be a conventional gangster film, albeit in the mould of the new wave of godard's contemporaries, truffaut and chabrol. godard embraces new, unconventional techniques to the point - almost - of excess, particularly the use of jump-cuts and long takes. he uses as one of his lead characters an inexperienced actress, jean seberg, who speaks throughout in an appallingly broken americanized french. and lengthy philosophical discussions and existentialistic references take precedence over action and drama. but the result is a piece of french cinema that even now appears fresh and exciting - witty and effervescent with some catchy and effective music from martial solal. jean-paul belmondo is cast as the luckless petty criminal with an eye for the ladies and an uncanny respect for the police. one of belmondo's better performances, the charismatic young actor dominates every scene in which he appears. a bout de souffle is a truly great film - one that breaks all the conventions and leaves its audience - quite literally - breathless. subtitled: aka: breathless. director: jean-luc godard; script: jean-luc godard, françois truffaut; photo: raoul coutard; music: martial solal; cast: jean-paul belmondo (michel poiccard), jean seberg (patricia franchini), roger hanin (cal zombach) michel poiccard is on the run from the police, having killed a policeman. he chats up an amercain student, patricia, and seeks sancutaury in her paris apartment. michel appears to be in love with patricia, who remains non-commital. then patricia discovers michel's terrible secret... this is arguably one of the dozen or so most influential films of the twentieth century. the contrast with everything that went before a bout de souffle is stunning, in terms of plot structure, content, direction and camera work. this is jean-luc godard at his most anarchistic, although - ironically - the film begins as what appears to be a conventional gangster film, albeit in the mould of the new wave of godard's contemporaries, truffaut and chabrol. godard embraces new, unconventional techniques to the point - almost - of excess, particularly the use of jump-cuts and long takes. he uses as one of his lead characters an inexperienced actress, jean seberg, who speaks throughout in an appallingly broken americanized french. and lengthy philosophical discussions and existentialistic references take precedence over action and drama. but the result is a piece of french cinema that even now appears fresh and exciting - witty and effervescent with some catchy and effective music from martial solal. jean-paul belmondo is cast as the luckless petty criminal with an eye for the ladies and an uncanny respect for the police. one of belmondo's better performances, the charismatic young actor dominates every scene in which he appears. a bout de souffle is a truly great film - one that breaks all the conventions and leaves its audience - quite literally - breathless.
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  une balle dans le canon (a slug in the h...
the producers of une balles dans le canou (a slug in the heater) undoubtedly believed that the magical name of bardot on the marquee would draw in patrons by the thousands. imagine the surprise of some of those patrons when the film's star turned out not to be brigitte bardot, but her younger sister mijanou. alas, the younger bardot has none of her celebrated sibling's sensuality or charisma. the story concerns a couple of ex-servicemen who engineer a robbery, only to run afoul of professional criminals. there is little to recommend the film outside of the assured supporting performance of the always interesting roger hanin. the producers of une balles dans le canou (a slug in the heater) undoubtedly believed that the magical name of bardot on the marquee would draw in patrons by the thousands. imagine the surprise of some of those patrons when the film's star turned out not to be brigitte bardot, but her younger sister mijanou. alas, the younger bardot has none of her celebrated sibling's sensuality or charisma. the story concerns a couple of ex-servicemen who engineer a robbery, only to run afoul of professional criminals. there is little to recommend the film outside of the assured supporting performance of the always interesting roger hanin. the producers of une balles dans le canou (a slug in the heater) undoubtedly believed that the magical name of bardot on the marquee would draw in patrons by the thousands. imagine the surprise of some of those patrons when the film's star turned out not to be brigitte bardot, but her younger sister mijanou. alas, the younger bardot has none of her celebrated sibling's sensuality or charisma. the story concerns a couple of ex-servicemen who engineer a robbery, only to run afoul of professional criminals. there is little to recommend the film outside of the assured supporting performance of the always interesting roger hanin.
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  le grand pardon (dis moi bouli hier on m...
quel régal quel régal quel régal
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